Freitag, 17. Mai 2024

The Sturgeon’s Dream/ Center for Humans and Nature



Libretto by Isaac Yuen and I has been chosen by the wonderful people at The Center of Humans and Nature. It is running it in two parts.

Sink into deep time. Sink into the sea. Sink to 210 million years ago, when the first sturgeons appeared. Sounds and noises from weather, rocks, beasts. The continent shifts. The Baltic Sea did not yet exist; Pangea the supercontinent remains whole. A rich and dense forest grows where now the Baltic Sea is, its trees turning eventually into amber, light, luminous.

FIRST SONG: DEEP TIME UNFOLDS

Under the first sturgeon moon

the one sea shudders

a cosmic sigh, this night alone

to welcome

jewel-studded fish

who came to exist

not on this day, night, or month

that year, decade, or millennia, not

out of the blue

but in the presence of that zeal for life—

has become

and now is and

will be

until one future day, in one singular moment

will not. Cease to exist. Vanish. Forever

Foam on the sea.

 

A wave of moonlight penetrates the surface

refracts

slows

changes course, rebounds,

sparks from jittering photons

from sun reflected via moon to earth

to land on silver sturgeon skin.

 

If us, we,

had been around then

and addressed a letter to Purkyně, Europe,

Purkyně would write back and explain

that even then

if our eyes had been

there and then

to witness—

the light would have indeed

turned silver,

the moonlight shed

on an ancient sea.

 

Who is to say what

we would have seen then

would move us now,

us seeing so much

that we forget

to look

and thus see nothing?

A sturgeon’s vision relies on

four barbels dangling near the mouth

to sense other lives, electric pulses, signals, present, vital.

 

From sea to barbel to sturgeon body, like moonlight hushed into the depth,

currents translating other presences

into a world, an Umwelt of its own.

 

Electrified by entities

the ocean pulses too, with every molecule:

Organic matter, fluid matter, drifting matter, sinking matter

rising matter, floating matter.

Creatures and critters, multicellular organisms, singular cells

roiling with life.

 

And on shore, the one shore, the only shore

the same sturgeon moon

Rises also

above that mass of land, above the continent that is

where the first gingko tree

just then

unfurls its branches, casts its shadow

on who is to say?

created as part of the Aland Universe project by Frauvonda

Freitag, 17. Mai 2024

What if?/ Lecture on Speculative Fiction



What if? Is such a powerful question and one that drives speculative fiction. How can this literary genre serve as a methodology to help us understand the complex questions we are entangled in? How can it change our approach to the more than human world? Lecture at Connected Classe by invitation of Public Art Lab, Bauhaus University Weimar and Nanyang University, Singapore. Illustration by Auntlantis.

Termine

  • 19.09.2024    Intelligente Landschaften Intelligente Landschaften
    Intelligente Landschaften Intelligente Landschaften
  • 15.09.2024    Kassel Soundatlas
    Kultur Bahnhof Kassel Kassel
  • 26.03.2024    Radio Radiobeitrag: Fishing in Japan
    Deutschlandfunk Kultur Weltzeit Radio
  • 18.03.2024    Berlin Nature Writing – Writing Nature
    UdK Berlin
  • 15.03.2024    Okeanos – Stiftung für das Meer Nature Writing – Writing Nature
    Okeanos – Stiftung für das Meer Okeanos – Stiftung für das Meer
  • 05.03.2024    Berlin Award Ceremony. Winner Best Literary Travel Book
    ITB Berlin

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Altes Handwerk - Vom Verschwinden der Arbeit



Susanne Lenz bespricht heute in der Berliner Zeitung auf einer ganzen Seite mein Buch "Altes Handwerk".

"Es erfüllt einen mit Wehmut, dieses Buch. Weil es von einer Arbeitswelt erzählt, die unwiederbringlich untergegangen ist aber auch, weil die Bilder eine Ruhe ausstrahlen, und die Menschen eine Hingabe und ein Selbstbewusstsein. Das sind Stimmungen, Haltungen, die in der heutigen Arbeitswelt des Multitasking, der Bildschirmarbeit selten geworden sind."
Berliner Zeitung über das Buch “Altes Handwerk”

Werk

Winner Best Literary Travelbook

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