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<channel>
	<title>Michaela Vieser</title>
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	<link>https://www.michaelavieser.de</link>
	<description>Die Seite der Autorin Michaela Vieser, die jeder sehen darf.</description>
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		<link>https://www.michaelavieser.de/2024/10/25/1355/</link>
		<comments>https://www.michaelavieser.de/2024/10/25/1355/#comments</comments>
		<pubDate>Fri, 25 Oct 2024 07:19:09 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1355</guid>
		<description><![CDATA[Please find me on www.michaelavieser.com from now on. Thank you for stopping by.]]></description>
			<content:encoded><![CDATA[Please find me on <a href="https://www.michaelavieser.com" target="_blank">www.michaelavieser.com</a> from now on. Thank you for stopping by.]]></content:encoded>
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		<item>
		<title>The Sturgeon&#8217;s Dream/ Center for Humans and Nature</title>
		<link>https://www.michaelavieser.de/2024/05/17/the-sturgeons-dream-center-for-humans-and-nature/</link>
		<comments>https://www.michaelavieser.de/2024/05/17/the-sturgeons-dream-center-for-humans-and-nature/#comments</comments>
		<pubDate>Fri, 17 May 2024 11:20:52 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1344</guid>
		<description><![CDATA[Libretto by Isaac Yuen and I has been chosen by the wonderful people at The Center of Humans and Nature. It is running it in two parts. Sink into deep time. Sink into the sea. Sink to 210 million years ago, when the first sturgeons appeared. Sounds and noises from weather, rocks, beasts. The continent [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/2024/05/17/the-sturgeons-dream-center-for-humans-and-nature/screenshot-2024-05-17-at-13-11-43/" rel="attachment wp-att-1345"><img class="alignnone size-medium wp-image-1345" title="Screenshot 2024-05-17 at 13.11.43" src="http://www.michaelavieser.de/wp-content/uploads/2024/05/Screenshot-2024-05-17-at-13.11.43-250x188.png" alt="" width="250" height="188" /></a>

Libretto by<a href="https://ekostories.com" target="_blank"> Isaac Yuen</a> and I has been chosen by the wonderful people at <a href="https://humansandnature.org/the-sturgeons-dream-a-libretto-part-one/" target="_blank">The Center of Humans and Nature</a>. It is running it in two parts.

Sink into deep time. Sink into the sea. Sink to 210 million years ago, when the first sturgeons appeared. Sounds and noises from weather, rocks, beasts. The continent shifts. The Baltic Sea did not yet exist; Pangea the supercontinent remains whole. A rich and dense forest grows where now the Baltic Sea is, its trees turning eventually into amber, light, luminous.

FIRST SONG: DEEP TIME UNFOLDS

Under the first sturgeon moon

the one sea shudders

a cosmic sigh, this night alone

to welcome

jewel-studded fish

who came to exist

not on this day, night, or month

that year, decade, or millennia, not

out of the blue

but in the presence of that zeal for life—

has become

and now is and

will be

until one future day, in one singular moment

will not. Cease to exist. Vanish. Forever

Foam on the sea.

&nbsp;

A wave of moonlight penetrates the surface

refracts

slows

changes course, rebounds,

sparks from jittering photons

from sun reflected via moon to earth

to land on silver sturgeon skin.

&nbsp;

If us, we,

had been around then

and addressed a letter to Purkyně, Europe,

Purkyně would write back and explain

that even then

if our eyes had been

there and then

to witness—

the light would have indeed

turned silver,

the moonlight shed

on an ancient sea.

&nbsp;

Who is to say what

we would have seen then

would move us now,

us seeing so much

that we forget

to look

and thus see nothing?

A sturgeon’s vision relies on

four barbels dangling near the mouth

to sense other lives, electric pulses, signals, present, vital.

&nbsp;

From sea to barbel to sturgeon body, like moonlight hushed into the depth,

currents translating other presences

into a world, an Umwelt of its own.

&nbsp;

Electrified by entities

the ocean pulses too, with every molecule:

Organic matter, fluid matter, drifting matter, sinking matter

rising matter, floating matter.

Creatures and critters, multicellular organisms, singular cells

roiling with life.

&nbsp;

And on shore, the one shore, the only shore

the same sturgeon moon

Rises also

above that mass of land, above the continent that is

where the first gingko tree

just then

unfurls its branches, casts its shadow

on who is to say?

created as part of the Aland Universe project by <a href="http://frauvonda.de" target="_blank">Frauvonda</a>]]></content:encoded>
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		</item>
		<item>
		<title>What if?/ Lecture on Speculative Fiction</title>
		<link>https://www.michaelavieser.de/2024/05/17/what-if-lecture-on-speculative-fiction/</link>
		<comments>https://www.michaelavieser.de/2024/05/17/what-if-lecture-on-speculative-fiction/#comments</comments>
		<pubDate>Fri, 17 May 2024 11:06:18 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1341</guid>
		<description><![CDATA[What if? Is such a powerful question and one that drives speculative fiction. How can this literary genre serve as a methodology to help us understand the complex questions we are entangled in? How can it change our approach to the more than human world? Lecture at Connected Classe by invitation of Public Art Lab, [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1342" rel="attachment wp-att-1342"><img class="alignnone size-medium wp-image-1342" title="Screenshot 2024-05-17 at 12.58.28" src="http://www.michaelavieser.de/wp-content/uploads/2024/05/Screenshot-2024-05-17-at-12.58.28-250x291.png" alt="" width="250" height="291" /></a>

What if? Is such a powerful question and one that drives speculative fiction. How can this literary genre serve as a methodology to help us understand the complex questions we are entangled in? How can it change our approach to the more than human world? Lecture at Connected Classe by invitation of Public Art Lab, Bauhaus University Weimar and Nanyang University, Singapore. Illustration by Auntlantis.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Towards an interconnectedness of science and senses/ Intensive writing course at UdK</title>
		<link>https://www.michaelavieser.de/2024/04/17/towards-an-interconnectedness-of-science-and-senses-intensive-writing-course-at-udk/</link>
		<comments>https://www.michaelavieser.de/2024/04/17/towards-an-interconnectedness-of-science-and-senses-intensive-writing-course-at-udk/#comments</comments>
		<pubDate>Wed, 17 Apr 2024 07:00:13 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1336</guid>
		<description><![CDATA[To become another. Been teaching all week an intensive course on Nature Writing - towards transformation and interconnectedness at UdK. We looked at the survival strategies of viruses, bacteria, mushrooms, genetic modification and poisons. We visited the Robert Koch Institute, spend some time at the National Gallery listening to paintings and discussed silk punk, science [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1337" rel="attachment wp-att-1337"><img class="alignnone size-medium wp-image-1337" title="IMG_2033 Large" src="http://www.michaelavieser.de/wp-content/uploads/2024/04/IMG_2033-Large-250x333.jpeg" alt="" width="250" height="333" /></a>

To become another. Been teaching all week an intensive course on Nature Writing - towards transformation and interconnectedness at UdK. We looked at the survival strategies of viruses, bacteria, mushrooms, genetic modification and poisons. We visited the Robert Koch Institute, spend some time at the National Gallery listening to paintings and discussed silk punk, science writing, sci-fi, speculative fiction, creative non-fiction with texts by Karen Russell, Octavia Butler, Benjamin Labatout, Merlin Sheldrake and Natassja Martin. Our lives are so entangled. Loved working things out with the students, loved to listen to their ideas, loved to spend 5 days or 35 hours together exploring.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fishing in Japan/ Deutschlandfunk Kultur Weltzeit</title>
		<link>https://www.michaelavieser.de/2024/04/17/fishing-in-japan-deutschlandfunk-kultur-weltzeit/</link>
		<comments>https://www.michaelavieser.de/2024/04/17/fishing-in-japan-deutschlandfunk-kultur-weltzeit/#comments</comments>
		<pubDate>Wed, 17 Apr 2024 06:43:25 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1328</guid>
		<description><![CDATA[While researching bodies of water in Japan, I got side-tracked by all the stories I would gather from talking to fishermen and women. A strange pattern appeared. A new, old way of living off the sea in different ports between Hokkaido and Kyushu. Sometimes so humble, it made my heart ache. My radio piece about [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/2024/04/17/fishing-in-japan-deutschlandfunk-kultur-weltzeit/img_8338/" rel="attachment wp-att-1329"><img class="alignnone size-medium wp-image-1329" title="IMG_8338" src="http://www.michaelavieser.de/wp-content/uploads/2024/04/IMG_8338-250x187.jpeg" alt="" width="250" height="187" /></a>

While researching bodies of water in Japan, I got side-tracked by all the stories I would gather from talking to fishermen and women. A strange pattern appeared. A new, old way of living off the sea in different ports between Hokkaido and Kyushu. Sometimes so humble, it made my heart ache. My radio piece about the new fishing culture in the land of sushi is now out on German national radio. Weltzeit. Deutschlandfunk Kultur. and is available in the archives for a year. There are some truly silly ideas, like the giant squid statue, there is denial, loss, blaming others, but mostly I saw appreciation and respect for the marine species that become food. There is also a sense of urgency that runs as an undercurrent through every encounter. <a href="https://www.deutschlandfunkkultur.de/japans-fischkultur-land-des-sushis-konsumiert-mehr-fleisch-dlf-kultur-0f818b37-100.html" target="_blank">Listen to the piece here.</a>

&nbsp;
	<h3 class="gigpress-related-heading">Related show</h3>

<ul class="gigpress-related-show vevent active">

	<li>
		<span class="gigpress-related-label">Artist:</span> 
		<span class="gigpress-related-item">Michaela Vieser</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Tour:</span> 
		<span class="gigpress-related-item">Radiobeitrag: Fishing in Japan</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Datum:</span>
		<span class="gigpress-related-item"><abbr class="dtstart" title="2024-03-26T18:30:00">Dienstag, März 26th 2024</abbr>
			</span>
	</li>

	<li>
		<span class="gigpress-related-label">Zeit:</span> 
		<span class="gigpress-related-item">6:30pm</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Stadt:</span> 
		<span class="gigpress-related-item summary">
			<span class="hide">Michaela Vieser in </span>
			Radio		</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Location:</span> 
		<span class="gigpress-show-related location">Deutschlandfunk Kultur Weltzeit</span>
	</li>


	
	<li>
		<span class="gigpress-related-label">Land:</span> 
		<span class="gigpress-related-item">Germany</span>
	</li>





	
	<li>
		<a href="http://www.google.com/calendar/event?action=TEMPLATE&amp;text=Michaela+Vieser+%2C+Deutschlandfunk+Kultur+Weltzeit&amp;dates=20240326T183000Z/20240326T183000Z&amp;sprop=website:https%3A%2F%2Fwww.michaelavieser.de&amp;sprop=name:Michaela+Vieser&amp;location=Deutschlandfunk+Kultur+Weltzeit%2C+Radio%2C+DE&amp;details=Tour%3A+Radiobeitrag%3A+Fishing+in+Japan.+&amp;trp=true;">zu Google Kalender hinzufügen</a> | <a href="https://www.michaelavieser.de/?feed=gigpress-ical&amp;show_id=186">iCal herunterladen</a> 
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</ul>]]></content:encoded>
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		<item>
		<title>Learning from the Sea/ Lecture and Workshop at Okeanos Foundation for the Sea</title>
		<link>https://www.michaelavieser.de/2024/03/03/learning-from-the-sea-lecture-and-workshop-at-okeanos-foundation-for-the-sea/</link>
		<comments>https://www.michaelavieser.de/2024/03/03/learning-from-the-sea-lecture-and-workshop-at-okeanos-foundation-for-the-sea/#comments</comments>
		<pubDate>Sun, 03 Mar 2024 07:29:21 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1322</guid>
		<description><![CDATA[Sharing my two years experience as a wave writer. I looked closely at the connection between forest and sea. The topography of the sea floor. Bodies of water in Japan. The transformation of a whale fall. I read Gilles Deleuze and Robin Wall-Kimmerer, Ursula K. Le Guin and Octavia Butler. I talked with Ama divers [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1323" rel="attachment wp-att-1323"><img class="alignnone size-medium wp-image-1323" title="_DSC5554-Enhanced-NR" src="http://www.michaelavieser.de/wp-content/uploads/2024/03/DSC5554-Enhanced-NR-250x166.jpg" alt="" width="250" height="166" /></a>

Sharing my two years experience as a wave writer. I looked closely at the connection between forest and sea. The topography of the sea floor. Bodies of water in Japan. The transformation of a whale fall. I read Gilles Deleuze and Robin Wall-Kimmerer, Ursula K. Le Guin and Octavia Butler. I talked with Ama divers and people from the Haida Nation. I took students to the mediterranean to teach them Nature Writing and we met so many whales, that we stopped counting. For two years I kept a Wave Diary through all and everything, jotting down thought, encounters, collecting flotsam and jetsam of an interconnected earth.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Research &amp; Aesthetic/ Teaching at SRH University Berlin</title>
		<link>https://www.michaelavieser.de/2024/03/03/research-aesthetic-teaching-at-srh-university-berlin/</link>
		<comments>https://www.michaelavieser.de/2024/03/03/research-aesthetic-teaching-at-srh-university-berlin/#comments</comments>
		<pubDate>Sun, 03 Mar 2024 07:18:34 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1319</guid>
		<description><![CDATA[When does research turn into an aesthetic experience? And, is it possible to feel one's way through data? Sharing my own tools and experiences with students from SRH University, with the wonderful Prof. Anna Rosa Krau.]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1320" rel="attachment wp-att-1320"><img class="alignnone size-medium wp-image-1320" title="IMG_6485 2" src="http://www.michaelavieser.de/wp-content/uploads/2024/03/IMG_6485-2-250x187.jpeg" alt="" width="250" height="187" /></a>

When does research turn into an aesthetic experience? And, is it possible to feel one's way through data? Sharing my own tools and experiences with students from SRH University, with the wonderful Prof. Anna Rosa Krau.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Wisdom of the Sea/ Japan Travelogue</title>
		<link>https://www.michaelavieser.de/2024/01/09/wisdom-of-the-sea-japan-travelogue/</link>
		<comments>https://www.michaelavieser.de/2024/01/09/wisdom-of-the-sea-japan-travelogue/#comments</comments>
		<pubDate>Tue, 09 Jan 2024 08:10:51 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1310</guid>
		<description><![CDATA[Seven weeks in Japan, researching bodies of water and loneliness, thanks to a grant by the Okeanos Foundation for the Sea. The 14 travelogues are now online and can be read in German or English. "My own pilgrimage was to feel into the connections we have with water: the sea, rivers, canals, estuaries, waterfalls, sacred lakes, mundane ponds, [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1285" rel="attachment wp-att-1285"><img title="IMG_6089" src="http://www.michaelavieser.de/wp-content/uploads/2024/01/IMG_6089-250x187.jpeg" alt="" width="250" height="187" /></a>

Seven weeks in Japan, researching bodies of water and loneliness, thanks to a grant by the Okeanos Foundation for the Sea. The 14 travelogues are now online and can be read in <a href="https://okeanos-stiftung.org/wave-writer-stipendiatin-michaela-vieser/" target="_blank">German</a> or <a href="https://okeanos-foundation.org/travelogues-by-wave-writer-scholarship-holder-michaela-vieser/" target="_blank">English.</a>

"<em>My own pilgrimage was to feel into the connections we have with water: the sea, rivers, canals, estuaries, waterfalls, sacred lakes, mundane ponds, aquascapes and street aquariums. The lives they hold; our estrangement from their flows and the loneliness this stirs within us. I am hoping to be taken to places and thoughts I had not foreseen.</em>"
<div></div>
	<h3 class="gigpress-related-heading">Related show</h3>

<ul class="gigpress-related-show vevent active">

	<li>
		<span class="gigpress-related-label">Artist:</span> 
		<span class="gigpress-related-item">Michaela Vieser</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Tour:</span> 
		<span class="gigpress-related-item">Wave Writing- writing waves</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Datum:</span>
		<span class="gigpress-related-item"><abbr class="dtstart" title="2024-02-16T10:00:00">Freitag, Februar 16th 2024</abbr>
			</span>
	</li>

	<li>
		<span class="gigpress-related-label">Zeit:</span> 
		<span class="gigpress-related-item">10:00am</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Stadt:</span> 
		<span class="gigpress-related-item summary">
			<span class="hide">Michaela Vieser in </span>
			Okeanos &#8211; Stiftung für das Meer		</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Location:</span> 
		<span class="gigpress-show-related location">Okeanos &#8211; Stiftung für das Meer</span>
	</li>


	
	<li>
		<span class="gigpress-related-label">Land:</span> 
		<span class="gigpress-related-item">Germany</span>
	</li>





	
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		<a href="http://www.google.com/calendar/event?action=TEMPLATE&amp;text=Michaela+Vieser+%2C+Okeanos+-+Stiftung+f%C3%BCr+das+Meer&amp;dates=20240216T100000Z/20240216T100000Z&amp;sprop=website:https%3A%2F%2Fwww.michaelavieser.de&amp;sprop=name:Michaela+Vieser&amp;location=Okeanos+-+Stiftung+f%C3%BCr+das+Meer%2C+Okeanos+-+Stiftung+f%C3%BCr+das+Meer%2C+DE&amp;details=Tour%3A+Wave+Writing-+writing+waves.+&amp;trp=true;">zu Google Kalender hinzufügen</a> | <a href="https://www.michaelavieser.de/?feed=gigpress-ical&amp;show_id=181">iCal herunterladen</a> 
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</ul>]]></content:encoded>
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		<item>
		<title>Einsamkeit in Japan</title>
		<link>https://www.michaelavieser.de/2024/01/09/einsamkeit-in-japan/</link>
		<comments>https://www.michaelavieser.de/2024/01/09/einsamkeit-in-japan/#comments</comments>
		<pubDate>Tue, 09 Jan 2024 08:05:28 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.michaelavieser.de/?p=1300</guid>
		<description><![CDATA[Mein Beitrag über die Einsamkeit in Japan auf Deutschlandfunk Kultur, Weltzeit. Hier zum Nachhören in der Mediathek. Danke an den Redakteur Andre Zantow. „Das Wort Kodoku bedeutet nicht einfach nur Einsamkeit oder Zurückgezogenheit (loneliness and solitude). Es hat nicht diesen negativen Beigeschmack. In Japan hat Einsamkeit eine mehrdeutige Interpretation. Sie kann sowohl negativ, als auch positiv [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/?attachment_id=1301" rel="attachment wp-att-1301"><img class="alignnone size-medium wp-image-1301" title="IMG_7895" src="http://www.michaelavieser.de/wp-content/uploads/2024/01/IMG_7895-250x187.jpeg" alt="" width="250" height="187" /></a>

Mein Beitrag über die Einsamkeit in Japan auf Deutschlandfunk Kultur, Weltzeit. <a href="https://www.deutschlandfunkkultur.de/japan-einsamkeit-100.html" target="_blank">Hier zum Nachhören in der Mediathek.</a> Danke an den Redakteur Andre Zantow.

„<em>Das Wort Kodoku bedeutet nicht einfach nur Einsamkeit oder Zurückgezogenheit (loneliness and solitude). Es hat nicht diesen negativen Beigeschmack. In Japan hat Einsamkeit eine mehrdeutige Interpretation. Sie kann sowohl negativ, als auch positiv gedeutet werden.</em>“
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		<span class="gigpress-related-item">Einsamkeit in Japan</span>
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		<span class="gigpress-related-label">Datum:</span>
		<span class="gigpress-related-item"><abbr class="dtstart" title="2024-01-08T07:00:00">Montag, Januar 8th 2024</abbr>
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		<span class="gigpress-related-label">Zeit:</span> 
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		<span class="gigpress-related-item">Germany</span>
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		<title>Mit Robotern gegen die Einsamkeit</title>
		<link>https://www.michaelavieser.de/2024/01/09/michaela-vieser-in-deutschlandfunk-kultur-on-010824/</link>
		<comments>https://www.michaelavieser.de/2024/01/09/michaela-vieser-in-deutschlandfunk-kultur-on-010824/#comments</comments>
		<pubDate>Tue, 09 Jan 2024 07:52:50 +0000</pubDate>
		<dc:creator>michaelavieser</dc:creator>
				<category><![CDATA[Blog]]></category>

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		<description><![CDATA[Kurzreportage fürs Studio 9/ Deutschlandfunk Kultur. Beitrag bitte hier anhören. Seit Japan 2021 einen Minister gegen kodoku no mondai ernannt hat, gegen die “Probleme der Einsamkeit”, werden im Land verschiedene Konzepte mit sozialen Robotern erprobt. Dank ihnen sollen die unterschiedlichen Facetten der Einsamkeit angegangen werden. Dazu gehören AI basierte Roboter wie die süssen Lovot, über [...]]]></description>
			<content:encoded><![CDATA[<a href="http://www.michaelavieser.de/2024/01/09/michaela-vieser-in-deutschlandfunk-kultur-on-010824/b5f2c066-7ea7-43aa-9468-84ed1ba386e1/" rel="attachment wp-att-1295"><img class="alignnone size-medium wp-image-1295" title="b5f2c066-7ea7-43aa-9468-84ed1ba386e1" src="http://www.michaelavieser.de/wp-content/uploads/2024/01/b5f2c066-7ea7-43aa-9468-84ed1ba386e1-250x333.jpg" alt="" width="250" height="333" /></a>

Kurzreportage fürs Studio 9/ Deutschlandfunk Kultur. <a href="https://www.deutschlandfunkkultur.de/japan-mit-robotern-gegen-einsamkeit-dlf-kultur-75e57f55-100.html" target="_blank">Beitrag bitte hier anhören.</a>

Seit Japan 2021 einen Minister gegen kodoku no mondai ernannt hat, gegen die “Probleme der Einsamkeit”, werden im Land verschiedene Konzepte mit sozialen Robotern erprobt. Dank ihnen sollen die unterschiedlichen Facetten der Einsamkeit angegangen werden. Dazu gehören AI basierte Roboter wie die süssen Lovot, über die gerade ein Buch erschien, oder die Alter-Ego remotely operated robots, ferngesteuerte Roboter, die von sogenannten Piloten bedient werden, entwickelt von der Firma Orylabs. Hier sind die Piloten Menschen, die irgendwo in Japan in einem Bett liegen und ihren Körper nicht mehr bewegen können. Sie hatten einen Unfall und sind querschnittsgelähmt, oder sind an ALS erkrankt. Mit den Augen oder den Fingern können sie über die Ferne die Roboter steuern und durch die Roboter sprechen. Roboter, die von Tisch zu Tisch gehen, Bestellungen aufnehmen, Getränke servieren. Sie ermöglichen ihren Piloten soziale Kontakte und lassen sie wieder Teil der Gesellschaft werden.
<div><em>
</em></div>
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		<span class="gigpress-related-label">Artist:</span> 
		<span class="gigpress-related-item">Michaela Vieser</span>
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		<span class="gigpress-related-label">Tour:</span> 
		<span class="gigpress-related-item">Roboter gegen Einsamkeit in Japan</span>
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		<span class="gigpress-related-label">Datum:</span>
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			</span>
	</li>

	<li>
		<span class="gigpress-related-label">Zeit:</span> 
		<span class="gigpress-related-item">7:00am</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Stadt:</span> 
		<span class="gigpress-related-item summary">
			<span class="hide">Michaela Vieser in </span>
			Deutschlandfunk Kultur		</span>
	</li>
	
	<li>
		<span class="gigpress-related-label">Location:</span> 
		<span class="gigpress-show-related location">Deutschlandfunk Kultur Studio 9</span>
	</li>


	
	<li>
		<span class="gigpress-related-label">Land:</span> 
		<span class="gigpress-related-item">Germany</span>
	</li>





	
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